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MARIA CRISTINA KIEHR & CONCERTO SOAVE
Ave Regina Coelorum: Musiche per la Beata Vergine Maria nel XVIIésimo secolo italiano
Friday 22 September at 7pm
Concerto Soave:
Maria Cristina Kiehr, soprano
Jean-Marc Aymes, organ
This program presents the whole range of emotions of Virgin Mary’s life reflected n the Italian music of the XVII century. Sentiments of joy and pain, deeply embedded in Her existence, inspired some of the most important pieces of art through the ages. Composers of all times created sacred music based on texts praising the Blessed Mary and describing her burden. But in Italian early baroque these motives found a special match, because words started being treated using a whole new sphere of dissonances and consonances, amplifying the intensity of emotions, which in this programme are crowned by the emblematic Giovanni Felice Sances’ piece Stabat Mater.
Programme
Adriano Banchieri (1568–1634)/ Girolamo Cavazzoni, Magnificat Primo Tono in Risposta
Terzo Libro di nuovi pensieri Ecclesiastici. Bologna, 1613
Intavolatura...Libro Primo. Venezia, 1543
Francesco Passarini (1636–1694) Alma Redemptoris Mater
Antifone della Beata Vergine. Bologna, 1671
Gianpietro Del Buono (the first part of XVII c.) Sonata I sopra Ave Maris Stella
Canoni, oblighi sopra l'Ave Maris Stella...Palermo, 1641
Bonifazio Graziani (1604/5–1664) Regina Coeli / Dangaus Karalienė
Il Terzo Libro di Motetti. Roma, 1641
Canoro Pianto di Maria Vergine sopra la faccia di Christo estinto, Venezia, 1613
Sopra la Bocca – Amadio Fredi
Sopra i Capelli Stefano Bernardio
Sopra gli Occhi – Luc'Antonio Gasparini
Sopra le Guancie – Vido Rovetto
Sopra i Capelli - Bartholomeo Pesarino
Francesca Caccini (1587–1640) Chi è costei
Primo Libro delle Musiche. Firenze, 1618
Tarquinio Merula (1594–1665) Capriccio cromático
Manoscritto, Berlin, Staatsbibliothek
Giovanni Felice Sances (apie 1600/24–1679) Stabat Mater dolorosa
Motetti a voce sola. Venezia, 1643
