PALESTRINA AND HIS LEGACY IN LITHUANIA
Celebrating the 500th Birthday of the “Prince of Music”
Ensemble Canto Fiorito (Lithuania),
Rodrigo Calveyra, artistic director, cornetto (Brazil/France)
Lina Dambrauskaitė, Ieva Gaidamavičiūtė, sopranos
Renata Dubinskaitė, Saulė Šerytė, mezzo-sopranos
Povilas Vanžodis, tenor
Nerijus Masevičius, bass
Josué Meléndez, cornetto (Mexico/Switzerland)
Miguel Tantos Sevillano, sackbut (Spain/UK)
Fabio de Cataldo, bass sackbut (Italy)
Davide Pozzi, organ (Italy)
This program pays tribute to the towering figure of Giovanni Pierluigi da Palestrina (c. 1525–1594), whose masterful polyphony earned him the title “Prince of Music” and whose legacy became a foundation of sacred vocal music across Europe for generations — including the distant cultural realm of the Grand Duchy of Lithuania. Celebrated for his seamless counterpoint, clarity of text, and profound spiritual depth, Palestrina shaped the musical ideals of the Catholic Counter-Reformation and left an enduring legacy that extended far beyond Italy.
A lesser-known but historically rich chapter of that legacy unfolded in the Polish–Lithuanian Commonwealth, where Palestrina’s influence was transmitted directly through his disciples. Asprilio Pacelli, Annibale Stabile, and Giovanni Francesco Anerio — all composers closely associated with Palestrina and the Roman School — were appointed Kapellmeisters at the court of the Vasa kings. These monarchs, rulers of both Poland and the Grand Duchy of Lithuania, maintained a tradition of spending part of each year in Vilnius, their Lithuanian capital.
Importantly, the royal court traveled with its musicians. Thus, these composers — among the most important heirs of Palestrina’s musical language — were not only present at the Polish court in Warsaw, but also lived, worked, and performed in Vilnius, bringing the refined Roman style of sacred music directly into Lithuanian ecclesiastical and cultural life.
This program presents a vibrant dialogue between master and disciples. Alongside Palestrina’s masterpieces — from the radiant Magnificat primi toni to the deeply expressive Lamentationes Jeremiae Prophetae — we hear works by Pacelli, Stabile, and Anerio that embody and extend his aesthetic. Together, they reveal a lineage of sound that bridged Rome and Vilnius, shaping the sacred soundscape of early 17th-century Lithuania.
The closing concert of this year’s Kretinga Early Music Festival is both a celebration of Palestrina’s genius and a rediscovery of the profound musical connections that tied Italy to the Baltic world, and the Eternal City to the historic capital of Lithuania.
Rodrigo Calveyra
PROGRAMME
Giovanni Pierluigi da Palestrina (1525-1594)
Magnificat primi toni
Sicut Cervus
Asprilio Pacelli (1570-1623)
Beata es, virgo Maria
Giovanni Pierluigi da Palestrina
Virgo prudentíssima
Spirito Santo, amore
Ave Maria
Annibale Stabile (1535-1595)
Quam plchrae sunt
Giovanni Francesco Anerio (1569-1630)
Ingemuit Susanna
Giovanni Pierluigi da Palestrina
Pueri Hebraeorum
Osculetur me
Tu es Petrus
Lamentationes Jeremiae Prophetae – Lectio I
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PERFORMERS
ENSEMBLE „CANTO FIORITO“
The Vilnius-based early music ensemble Canto Fiorito, directed by the internationally renowned cornetto and recorder player Rodrigo Calveyra, started its activities in 2013. The ensemble is dedicated to researching and performing Renaissance and Baroque music, and pays special attention to musical life in the Grand Duchy of Lithuania and the Polish-Lithuanian Commonwealth in the 17th century.
Canto Fiorito has performed in various countries, including Norway, Austria, Slovenia, Poland, Germany, Italy, Sweden, the UK, Estonia, Latvia, and the Netherlands, and has initiated a major European project entitled ‘The Hanseatic Way’, funded by Creative Europe. The project includes concerts in Lithuania, as well as performances at the Brighton Early Music Festival, Hanseatic Days in Rostock, the Jeunesse festival in Vienna, the Glasperlenspiel festival in Tartu, the Bach Chamber Music Festival in Riga, and in Amsterdam.
In 2017, Calveyra initiated the Kretinga International Early Music Festival, dedicated to the oldest organ in Lithuania (1680), in Kretinga’s Franciscan church. Every year, the festival presents the world’s greatest artists and early music ensembles at concerts that are free of charge to the public.
Canto Fiorito places a great emphasis on education and playing in the regions of Lithuania. It has conducted residencies in the village of Paparčiai (for three years) and in the town of Kintai (for two years), engaging in continuous educational and concert activities for local communities. Additionally, the ensemble has implemented an international educational project for children about historic church organs in five regional towns in Lithuania.
Canto Fiorito’s repertoire also includes opera performances, such as Alessandro Stradella’s La Circe and Johann Sebastiani’s Pastorello musicale, the earliest surviving German opera. In 2014, the ensemble released a CD entitled Deus Deus Meus, featuring the music of Giovanni Battista Cocciola, a composer who worked in Vilnius in the 17th century. Furthermore, in 2021, Brilliant Classics released the album Barbara Strozzi. La voce sola, which Canto Fiorito recorded together with the ensemble’s soloist Renata Dubinskaitė.
The artistic director Rodrigo Calveyra wasborn in Porto Alegre in Brazil. He studied the recorder at the Schola Cantorum Basiliensis in Switzerland, and simultaneously specialised in the recorder and Medieval music under Pedro Memelsdorff at the Civica Scuola di Musica di Milano in Italy. He later took an MA in the cornetto at the Hochschule für Musik in Trossingen in Germany.Calveyra is a regular member of the renowned Cappella Mediterranea, and is musical assistant to its director Leonardo Garcia Alarcon. He has played as a soloist and conducted orchestras in Brazil, Switzerland, Italy, Argentina and Lithuania. He performs regularly in prestigious early music festivals in Europe and South America. He was artistic director of the Brazilian-based ensemble Instrumentarium, which gave around 150 concerts in South America and Europe, with musicians such as Maria Cristina Kiehr and Manfredo Kraemer. He has recorded for labels such as Sony, Harmonia Mundi France, Alpha, Deutsche Harmonia Mundi, Ricercar, and many others.
